There's meaning in everything, but we often struggle to understand the message.

One major help in understanding God's messages is Perek Shirah — Chapter of Song, which features prominently in Finding My Father's Song.

(Here's a downloadable PDF of the entire song: Perek Shirah in English.)

​Perek Shirah is an ancient collection of over eighty verses put together by King David, whose most famous book is the Book of Psalms. 

But after King David finished writing the Book of Psalms, Perek Shirah came to him as a type of even higher revelation.

Each part of Creation has its own song, and this is what was revealed to King David.

Perek Shirah was first mentioned in written Jewish texts around two thousand years ago (although knowledge of Perek Shirah could exist long before its textual mention, especially since much of Jewish scholarship was passed down orally, in addition to the wealth of written scholarship lost or destroyed throughout the ages).

The most respected Jewish sages throughout history praised the power of Perek Shirah to save a person’s soul, both in this world and in the Afterlife.

Perek Shirah isn't widely known outside the ultra-Orthodox community, where it is popular due to its powerful spiritual attributes.

Yet several stories exist of how Perek Shirah helped people understand the message hidden in a distressing event.

For example, Sara Yoheved Rigler writes about how the Song of the Rat helped her & her husband understand what the giant rat in their home needed to tell them:
My Rat's Tale

​Another couple realized that the invasion of scorpions into their new apartment hinted at their unintentional callousness in leaving a homeless man with whom they'd been sharing their meals. Upon contacting him to inform him of their new location (accompanied by a sincere offer to continue hosting him for meals), the scorpion infestation disappeared.

(The Song of the Scorpion within Perek Shirah is Psalm 145:9: "God is good to all and His Compassion is upon all His creatures." Thus, the couple realized their unintentional abandonment of the homeless man lacked compassion.)

It's not always clear to exactly what creature Perek Shirah refers. For example, the smameet mentioned toward the end of Perek Shirah could either be a small lizard or a spider. (And therefore, you can feel free to apply the message of the smameet to both the spiders you encounter, and the cute little gecko lizards.)

Furthermore, the meaning of the song isn't always as apparent as it was in the above instances.

But it's still worth taking a look to see whether the song of a particular creature or phenomenon holds a special message for you.

Of course, sometimes the reason for the event is something else entirely, something far less obvious & far more esoteric.

Judaism very much embraces paradox and isn't about a "bibbity-bobbity-boo!" approach to tackling life's challenges. 

But it's still worth seeking out the message.

​You never know what you'll find.

At the end of this post, you'll find graphics to download for free.

(If you use them online, I'd be grateful for attribution & a link back to this site, but since I'm offering these for free, so you don't have to link or attribute.)

You can also print them out as posters.

Upon waking up in the morning, a Jew is supposed to thank God for returning one's soul to the body.

There is an idea in Judaism that sleep is 1/60th of death.

The human soul comprises different aspects & levels (which is why Judaism has several different names for the soul — to describe its different aspects & levels).

When one goes to sleep at night, part of the soul rises to another plane and tells of its deeds that day. (Yes, part of this process can be expressed in a metaphorical dream.) It is judged and usually given yet another chance for a better tomorrow.

The soul then descends back into the body and then at some point, the person wakes up.

​So for millennia, Jews have said the following short prayer immediately upon waking:
​

In Hebrew, the guttural throat-clearing sound is often represented by "ch." There is no native "ch" (like the English "ch" of "cheese") in Hebrew, so whenever you see a Hebrew word written with "ch," please know that it represents the guttural throat-clearing sound.

For the images, there are 3 options:

• this short prayer in English translation
• this short prayer in English transliteration of the original Hebrew
• this short prayer in the original Hebrew

Of course, you can also feel free to download all three graphics.

Hover your mouse-arrow over your chosen image, then press right-click on your mouse, then choose the option that best suits you.

I love pie.

But many times, piecrust — even of the pies sold in cafes and restaurants — resembles a tasteless cardboard wafer.

Yet a good pie just isn't the same without a really good piecrust.

Over the years, I've experimented with different tips for handmade piecrust.

But honestly?

Here's my disclaimer: I think the best way to make any piecrust is to just dump the ingredients into your food processor, then keep pressing "Pulse" until your pie dough achieves that mealy bunch-of-peas look.

​The "pulsed" piecrust turns out well with very little effort on your part.

But my food processor broke down a couple of years ago and we never managed to invest in a new one. So for us, it's either handmade piecrust or nothing.

And it seems like now, for people in quarantine who are looking for something practical and rewarding to do with ingredients they (hopefully) have on hand, improving piecrust-making skills might be a gratifying activity.

Note: The following does not include an actual recipe, just tips for how to use the recipe of your choice. Why? Because I've never found a piecrust recipe that works consistently every time. I find that I always need to adjust the amounts, depending on the level of humidity in the kitchen, type of flour used, etc.

• For the best kind of light, flaky piecrust, you really do need to use white flour. But using whole-wheat pastry flour (70%-80%) with the techniques below can at least produce a decent whole-wheat piecrust.

• It doesn't matter so much whether you use oil or margarine/butter or animal fat (as long as the margarine/butter/animal fat is cold).

 

• To add the fat, you don't need a pastry cutter or 2 knives or any other implement. Just keep rubbing the fat & flour between your fingers until you achieve that mealy bunch-of-peas look.  

 
Interestingly, the process of rubbing the fat and dough between your fingers lends a good effect to the dough (can't remember the exact chemistry of it all, but it's definitely a helpful process).

• You should mix the flour & fat as little as possible — just enough until it clings together for shaping.  

​

• For flaky layers within the crust, the secret is to roll it out, fold it, re-roll it out, re-fold, re-roll it out — 3 times in all. 

Flaky Folding
It's hard to explain the folding in words, but after you roll out your dough into a circle or square shape (uneven is fine), you start folding like how an envelope is created:
​

1. You fold the top of the rolled-out dough down to the center of the rolled-out dough, then you fold the bottom part over that folded top part.
2. Then you take the right side & fold it all the way over to the left, as if you were closing a book. (Some like to add more of the fat just before this fold.)
3. Then you roll it all out in a circle (or square) again, and go through the process twice more.

 

• When you roll it out the final time, you can go ahead and place it in your pie pan, including shaping the edges (if you want), and then refrigerate it for 2 hours before use.

 

• Refrigeration does good things for the gluten in the pie, which is why this is a popular tip.

Some like to keep it in a ball for the refrigeration time, then roll it out and place it in the pan.

I found that shaping it in the pan before refrigerating is both easier & more efficient.

• It's okay if your piecrust falls apart as you drape it into its pan. Just patch in all the pieces of dough to cover all holes & fill up the edges of the pan so you can shape the edge. Once baked, it should both look & taste fine.

​

• You really don't need to add things like an egg yolk or whatever.

 

• Salt, cold fat, flour, and an ice-cold liquid are all you really need for a successful pie crust.

​

• I've tried making piecrust from schmaltz (rendered chicken fat), cooking oil, butter, and margarine. Contrary to my expectations, I achieved the best pie crust when using either schmaltz or oil.

 

• Some like to add a tablespoon of sugar or powdered sugar to achieve a golden color, and that amount won't sweeten your piecrust or affect its taste or texture.

 

• Exchanging 1 tablespoon of the liquid for 1 tablespoon ice-cold vodka (doesn't need to be best-quality) is also a good idea. And no, you don't taste it at all in the pie.

You can use whatever piecrust recipe you have on hand, and apply the above tips for a piecrust worth eating.

Wishing you bracha v'hatzlacha (blessing & success)!

​What I use:

• ​½ cup baking soda & ¼ to ½ cup sea salt (regular or coarse) ​
• ¼ cup white vinegar in the fabric softener dispenser (with or without 10-20 drops of lemon/orange/lavender essential oil)

OR

• 1 cup baking soda
• ¼ cup white vinegar in the fabric softener dispenser (with or without 10-20 drops of lemon/orange/lavender essential oil)

Results:

• Both mixtures cleaned both dark laundry & white laundry just fine.

 

• I didn't notice any colors damaged with either mixture.

 

• The clothes came out smelling fresh & clean with both mixtures.

​

• ​​If I burrowed my nose into the clothes and inhaled deeply, I sometimes sensed a vague not-sure-if-this-is-my-imagination whiff of vinegar. But other than that, they didn't come out smelling like vinegar.

 

• The citrus/lavender scent from the essential oils did not last—not through the dryer & not even after being hung to dry. 

 

• However, the essential oils did seem to neutralize even that vague ​not-sure-if-this-is-my-imagination whiff of vinegar. Clothes came out of the dryer smelling clean & fresh.

​

• The clothes came out feeling soft using either mixture.

​What I used:

• ½ cup baking soda with ¼–½ cup sea salt (regular or coarse), along with ¼ cup powdered citric acid  
• 1-2 tablespoons of citric acid in the fabric softener dispenser

​Results:

• This cleaned my white laundry overall. 

​

• It really did brighten the whites. (Both baking soda & citric acid brighten whites.)

 

• ​The clothes came out smelling fresh & clean.

​​

• The clothes come out feeling soft.

 

• HOWEVER, stains (like ring-around-the-collar or stains from grape juice or tomato sauce, etc.) did not come out unless I treated the item with a non-bleach oxygen stain remover FIRST.​​

Note: My brief research showed that citric acid might fade colors, so I only use it with white laundry. 

​
​What I used:

• 1 cup of coarse sea salt (no fabric softener, nothing in the fabric softener's dispenser)

Only once did I use coarse sea salt alone: to clean a load of very dirty cleaning rags.

Results:

• It all came out clean enough. In other words, using coarse sea salt on its own didn't do better or worse than any other laundry detergent, natural or commercial.

 

• HOWEVER, the laundry lacked the fresh & clean smell that the laundry usually gets from baking soda, vinegar, or powdered citric acid.

So based on this, I would not generally use salt on its own as a laundry detergent.

Here are my conclusions:

• Personally, I will keep using vinegar in the fabric softener dispenser for colored clothes WITHOUT essential oils (unless I decide to completely neutralize any possible whiff of vinegar). But mostly, I found that the laundry comes out smelling fine without essential oils.

 

• I will also continue to use the above combination of salt, baking soda, and citric acid (or even just baking soda & citric acid) for white laundry. Even with effective detergents like Tide, I still needed to treat stains on whites prior to laundering. So continuing to do that? It's all the same to me.

 

• Based on what I read, salt is more abrasive. So for delicates, I would either use just baking soda as the detergent—or something even gentler, like a natural soap.

Reminder: All this laundry was done using a side-loading machine & hard water, not the soft water more common in the USA. That could make a difference in the results.

I hope you found this helpful.

After an unexpectedly long hiatus, I've decided to get back to blogging on this website.

Thank God, I've been blessed with a full family life & ongoing writing projects.

So I never intended to put off posting here for so long. It was one of those things for which I always meant to make the time, but just didn't.

Sometimes, I thought of ideas for a post that didn't seem to fit here. Other times, I just didn't push myself to flesh out the suitable idea simmering in my mind for months.

Still, I'm not yet sure how often a post will appear here. But my intention is to post at least more than I have until now (as opposed to letting over a year go by with no sign of life)!

For those who kept checking in throughout the down-time, you have my appreciation and gratitude.

And for those checking out this blog out for the first time—welcome & thank you!

Right now, I'm working on creating real blog posts (and not just announcements of a new book launch).

In the meantime, please enjoy the motivational poster below, which you can download & use for free, no attribution necessary.

(To download: Hold your mouse over the image, then right-click your mouse. From the menu box that appears, click "Save" or "Save as," then follow your preference to save it to your device.)

​(The background image is courtesy of photographer Mohamed Hassan.)

I'm glad and grateful to announce the publication of Finding My Father's Song: A Novella of Loss, Loneliness, Love, and Hope in paperback.

Right now, it's available on Amazon, but there is an automatic process that should put it up for sale on Book Depository in a few weeks.

To download free sample chapters of the book:
Free download of First 3 Chapters PDF
Free download of First 3 Chapters MOBI (Kindle)
Free download of First 3 Chapters EPUB

​To buy the paperback on Amazon, please click image:

Thank you!

And seeing as we've just passed Rosh Hashanah, the Jewish New Year, I'd like to wish everyone a sweet, wonderful year for 5779!

In a previous post (How Limits & Boundaries Produce Real Creativity), we discussed how limitations and boundaries enhance creativity and genius, rather than dull them.

In fact, in yet another post, we saw the way a brilliant marketer used his unusual and complex name to his advantage, showcasing what a good marketer he really is.

Had he just decided that since he can change his name to any other name, that he should find a more conventional and pronounceable name (or just break the boundary on names and choose something simply to be different or offensive), he wouldn't have been able to come up with as nearly an effective and appealing ad.

Working within the limitation enhanced his creativity and cleverness.

Likewise, the best art works within structure.

Let's look at the field of writing.

Publishers of mysteries often say things like, "I would love to see a really good locked-room mystery!" 

(A locked-room mystery is when a body is found in a locked room with no window and therefore, no apparent exit for the perpetrator.)

This is one of the hardest mysteries to write. Therefore, anyone who can write it well shows greater genius than one who writes a, say, a whodunit that takes place in an open park in a crime-ridden neighborhood at night.

​In the field of music, the works considered genius are those of classical composers, such as Bach and Mozart, who composed their works according to certain rhythms and structures. 

In the world of religious Judaism, a popular form of art includes Hebrew verses or even entire books incorporated into a painting on that theme.

Why do we admire art which incorporates verses of Psalms into a thematic painting?

Because doing so demands such skill and innovation.

Millennia of Jewish scholarship has emphasized the importance of limitations, from limiting our speech to expressing gratitude for the limits God set on the oceans at the seashores.

Yet the idea of being limited often leaves a bad taste in the mouth of the modern millennial; limits are often seen as confining, strangling, suffocating, strait-jacketing, and so on.

Yet our Sages tell us that limiting our speech can merit us a light so great that even the greatest angels cannot perceive it. And without limits on our oceans, our world would be flooded and mostly uninhabitable.

"Restraint" seems like a quaint idea or else something necessary in only very extreme situations. Yet it is also arguably the best translation of the word gevurah, a highly prized quality in Judaism (often translated as "strength" or "might"). Gevurah is also one of the Kabbalistic Sefiras. 

While some see Judaism as a list of prohibitions, many religious Jews discovered enhanced spiritual growth by asking themselves, "How can I do this within the parameters of Jewish Law?" Or, "What can I do instead?"

Finally, it's possible to expand this idea of limitations from art to expression of the human soul by examining the following idea:

Who is the greater person?

• The one who is happy even in illness and poverty?
• Or the one who is happy when everything is going swimmingly?

It is limitation which allow our soul's potential to truly shine. 

A couple of years after I'd left my secular assimilated lifestyle for an Orthodox Jewish life, I met a woman who'd once been immersed in her life as an artist.

She'd painted and sculpted whatever she felt compelled to create, clothed herself as her spirit moved her, and hung out in Greenwich Village.

There were no boundaries or limitations on how she could express herself.
 
"Wasn't it difficult to channel your art in a religious way?" I asked her. "I mean, after you were used to painting and sculpting whatever you wanted, wasn't it difficult to limit yourself after you entered the more structured and limiting world of Orthodox Judaism?"

Nodding to herself, her brow wrinkled in thought before she said, "I wouldn't say 'difficult'...."

She paused again, searching for the right words until she finally said, "Yes, it's true that I can't create whatever I want—although in a way I can, because my soul expresses different and better aspects now—but my art became better." She pursed her lips, thinking over what she was saying, then she nodded. "Yeah," she said. "I feel that Orthodox Judaism actually improves your art."

"Really?" I said. After having read books by people who felt confined by Orthodox Judaism, it was startling to hear such a contrasting view. "Having your art conform to Orthodox standards actually improves your art?"

"Yes," she said. "Because without limitations, there is no real creativity."

Now, that really stumped me.

In so many different ways, the secular world always insists that creativity demands total uninhibited freedom.

And throughout my life, I kept seeing that the definition of good art in any field was always how much it pushed past the current boundaries—whether the end product was actually any good or not.

For example, the highly lauded field of "experimental art" or "experimental music" is often merely something that hasn't been done yet.

And at this point, what is left to do is often ugly, disturbing, and in bad taste.

Noting my perplexity, she explained, "If you can just do anything you want, then what's the challenge in that? How can you be truly creative and how can you even begin the cultivation of artistic genius if you just do 'whatever'?"

She told me to imagine a pipe channeling water toward a certain destination.

The very act of channeling the water causes the water to be limited in its direction and its form.

Yet that same "limited" water is much more productive and valuable than if it were just flooding around everywhere with no direction or purpose.  

"When you can only create within certain limitations," she continued, "then that forces you to think outside the box and to stretch your mind in ways you never would have before. And doing that increases your creativity and makes your art even better."
 
Needless to say, she's right.

Many people complain about the formulaic structure of movies today. Many novels resemble each other too, just in different genres. The same characters pop up in different guises, all expressing the same ideas in different voices.

And then yet another boundary is crossed, which seems either exciting or distressing, depending which side of the boundary you stand on. But that eventually becomes copied ad naseam until the next boundary is violated.

Breaking boundaries isn't necessarily creativity.

It takes no innovation to say, "What are the taboos of society and how can I push past them?"

For example, if your society frowns on stealing, it takes no genius to identify that boundary or to break through it. You just go out and steal something.

Likewise, self-indulgent expression takes little creativity or genius. Your emotions merely lead you to chafe against a society that doesn't cater to your individual quirks or tastes. You chafe against it and then you rant against it with mind-numbing slogans and meaningless symbols. Maybe you even express your self-righteous ranting in a book or via some other art in a way that seems fresh at the time, but will seem shallow and melodramatic in another generation or two.

And despite all the hype and self-congratulations of those who indulge themselves this way, there's no real creativity there either.
 
The above applies to any creative endeavor, which is why we quip, "Necessity is the mother of invention."

Inventors create because something is missing.

Real innovators create because of the limits.

Genuine creativity and genius is born from limitation.

Thank you very much to all the readers who downloaded their free copy of Finding My Father's Song!

I really appreciate it and I hope that you'll get something from the story that stays with you.

But before you go, please take a look at the image below.

This guy needs to promote his business when he has a very unusual name that most people would look at and think, "How on earth...?"

Can you imagine asking for this guy on the phone?

But he uses the difficulty and uniqueness of his name as his hook and he does so in a very appealing manner. The whole presentation makes you feel comfortable about giving him a call, even if you would totally mash up the pronunciation or just go with skipping his last name altogether and referring to him as Benjamin...right? 

Upfront, honest, committed, and approachable -- that's the branding here.

It demonstrates that he real does know how to what he says he does (marketing and sales consultation).

Anyway, I think it's a great example of how you can make custard and meringues from the eggs life throws at you.

What if you're lost, but being found just makes you feel lost again?

Rina Brown is a young professional with a hidden talent for music who’s in love with her successful fiancé, Troy Ash.

But when she reveals that she wants to eventually have children, despite having promised him she wouldn’t, he dumps her.

Losing Troy causes Rina to lose everything else—their home, her friends, the winter cabin in the mountains—plunging Rina into despair.

Combined with the recent death of the mother who never really loved her and bitterness toward the father who abandoned her as a child, Rina makes her way to the winter cabin she once shared with Troy, determined to end her life by freezing to death outside on a snowy night.

Yet bears awakening from hibernation chase Rina into the lonely cabin, where she discovers music CDs and equipment that enable Rina to upload her songs of heartbreak, eventually creating an Internet sensation.

But when Rina’s past won’t leave her alone, Rina finds herself spiraling once again into despair.

Will Rina be able to grasp onto those reaching out to her from her past?

Can she find the lifeline she needs in an ancient Jewish book said to be the key to unlocking a secret chamber in Heaven?

Or will she finally lose herself forever to her own despair and self-destruction?

This new book focuses on Rina Brown, a Jewish girl so assimilated, she barely realizes she's Jewish.

As she tries to make her way around heartbreak, Internet fame, suicide attempts, unsettling childhood memories, and unexpected meetings with people from her past, Rina discovers the existence of a short ancient Jewish book said to be compiled by King David himself called Perek Shirah—Chapter of Song.

(Perek--Chapter, Shirah—Song)

Note: Much of the following is excerpted from the Author's Note of Finding My Father's Song.

Well-known today among Orthodox Jews, but practically unheard of in other circles, Perek Shirah/Chapter of Song  is a compilation of 84 verses inaudibly sung by different species of mammals, insects, birds, fish, and other parts of nature.

Most of the verses derive from the Jewish Bible, the Talmud, and the Zohar, although one is a paraphrase of a verse from the Jewish Confession (Vidui).

King David is credited with compiling Perek Shirah after he finished writing and arranging the Book of Psalms.

Perek Shirah is available in English with variations in translation due to the multi-layered meaning of most of the verses and the struggle to accurately identify a couple of the animals mentioned. For example, the retzifi (who “sings” Isaiah 40:1) is often translated as “bat,” but my Hebrew version features a photo of an owl (both are nocturnal winged predators, albeit from totally different species). But this word isn’t found in the Jewish Bible or the Talmud, so its translation isn’t clear. However, God knows what you mean. (You can also just call it “retzifi” instead of the uncertain translation, but recite the rest of the verse in English.)

Rabbi Chanoch Zundel Luria (a rabbinical sage who lived in Poland during the early 1800s) compared Chapter of Song to a symphony of musical instruments, each with its own sound, which blends together under the guidance of a conductor.

Many of the verses contain expressions of joyful gratitude to the Creator along with other inspirational messages, including verses containing ethical metaphors encouraging the reader to overcome laziness, avoid theft, and live a meaningful life.

The deeper secret behind Perek Shirah is the Jewish tradition that there is a special place in Heaven (and is not a physical 3-dimensional location like, say, Jamaica) that contains a great spiritual treasure under lock and bolt (again, not a physical iron lock and bolt).

Only certain angels can entire this chamber, which is called Niggun (pronounced nee-goon, it means “Melody”). Perek Shirah is the key that opens this chamber. Needless to say, to really access the beautiful holy power of Perek Shirah, it needs to be said from your heart as sincerely and joyfully as you can.

(This doesn’t mean you need to be laughing and hooting as you say it. Again, it’s the heart that counts, so the main idea is to cultivate a happy heart.)  

If you can put the words to some kind of melody, it’s even more effective.

Several holy Jewish sages throughout history have emphasized the power of Perek Shirah to provide protection and healing. In light of this, there is a popular Jewish custom to recite it for 40 consecutive days as a prayer for the fulfillment of a specific request. Many Jews have seen blessing and even miracles from following this custom.

Here is a downloadable PDF of one English translation:
Perek Shirah in English

As you’ll see, there are different spellings of Perek Shirah. Sometimes perek is spelled pereq and sometimes shirah is spelled shira. As explained in Jews, transliterating Hebrew into English isn’t so straightforward, so we all just do the best we can.

There are laminated booklets available in the original Hebrew or translations of the Hebrew, accompanied by photos of the animal featured in each verse. (The illustrations are helpful in case you—like me—didn’t know what a swift or petrel was, for example; they’re both birds.)

But the website offering these booklets, plus more information, has since closed down and been transferred to a site for decking wholesalers. (Weird, I know.) To receive a laminated booklet of Perek Shirah with the accompanying photos, you can always try contacting an Orthodox book store (if you have one in your area) to see if they carry these booklets.

For an article by one of my favorite Jewish authors about her personal experience with Perek Shirah, please see: Nature's Song.

For an upbeat Hassidic musical rendering of the introductory paragraph of Perek Shirah, please see this video by Avremy Goldstein & friends (English subtitles appear at around 3:20): Perek Shirah Hassidic-Style

Thank you!